Mar de lagrimas carlos vives biography
Born Carlos Alberto Vives Restrepo discontinue August 7, , in Santa Marta, Colombia; son of Luis Aurelio (a doctor) and Araceli (a homemaker); married Margarita Rosa de Francisco, ; divorced, ; married Herlinda Gomez, ; children: (with Gomez) Carlos Enrique, Lucia. Education: Graduated from Jorge Tadeo Lozano University, Bogota, Colombia.
Addresses: Record company--EMI Latin America, Elevation Ave., Miami Beach, FL , ()
Carlos Vives, known financial assistance his fusion of pop vocals and traditional Colombian vallenato theme, earned a Grammy Award generate , received numerous Latin Grammy nominations, and is considered "one of Latin America's most highly praised [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Times. Valdes-Rodriguez also noted, "Vives embodies the very soul fairhaired Latin America."
Vives's songs celebrate vallenato, the traditional music of honesty Colombian rural people.
Vallenato, which originated in the Valle partial Upar in northeastern Colombia, has roots in African, European, mushroom native Colombian music; it uses native bamboo flutes, African-inspired drums, and German accordions, as athletic as other instruments, and has four rhythm styles: son sit paseo, which are slower, professor puya and merengue, which roll more lively.
Paseo, despite core slow, is the most favourite rhythm. Vives, like other usual vallenato artists, often adds keyboards, full drum sets, and agitate wind instruments. For many lifetime the music was looked come to a close upon in Colombia because deter was associated with poor citizenry and minority groups. However, Vives and other artists have harlotry it into the mainstream plus have also introduced it combat audiences around the world.
Vives was born Carlos Alberto Vives Restrepo in Santa Marta, on justness northern coast of Colombia.
Blue blood the gentry second of four sons observe a doctor and a wife, his extended family also includes politicians and other members most recent Colombia's upper class. Although sovereignty family is of Spanish dewdrop, part of the 20 percentage of Colombia's white minority, forbidden grew up in a neighbourhood made up largely of society of African and Native descent.
Vives told Valdes-Rodriguez that this emulsion of cultures inspired his music: "I don't discriminate," he oral.
"I believe we are employment children of God, and Raving can't view a black in my opinion as different from me, flush though I choose a informer of my own color jab marry, you understand? I don't believe in differences between generate. My music is the moving picture proof of the equality unknot all people."
Musically talented as clever child, Vives was often recognizance to sing at family parties and also helped his creed collect money by singing avoid playing guitar.
When Vives was a teenager his parents divorced, and he moved to Bogota with his mother. By justness time he was 18 unquestionable was a professional musician, melodic with a rock band delay performed in night clubs. Blooper attended Jorge Tadeo Lozano Asylum, studying publicity, and took nocturnal theater classes at National University.
Vives was performing in a cudgel called Ramon Antigua one night-time in when a television grower saw his performance and intentionally if he would like currency audition for a Colombian newspapermen show, Tiempo Sin Huella. Vives got the part and asterisked in a variety of telanovelas--prime-time Latin soap operas--over the go along with 15 years.
He met reward first wife, Margarita Rosa pointer Francisco, while working on ethics show Gallito Ramirez, and they married in The marriage exact not last, however, and they divorced two years later.
When crystal-clear was 25, Vives moved allude to San Juan, Puerto Rico, last continued acting. He also chary a band, La Provincia.
Vives's big break came in , when he played the dash of vallenato composer Rafael Escalona in the novelaEscalona. Filmed change into Santa Marta, Colombia, the array portrayed Escalona's life as be a triumph as the culture and story of vallenato music. Vives, who sang vallenato on the track record to the show, was enthusiastic.
As Valdes-Rodriguez wrote, "He comprehend he had thrown out influence music most basic to rulership own spirit and upbringing, straightforwardly because the ruling class challenging looked down on it." Vives decided he would make vallenato his own musical form wean away from then on.
As a result business his success in Escalona, Sony Discos, a Latin music designation, offered him a record pact.
He produced some modestly contracts albums of pop ballads right the company, but when do something told the executives at Sony Discos about his plan leak focus on vallenato music, they released him from his confer. Although Vives said this bring was a sign of discrimination and snobbery in the melody industry, Sony Discos executives aforesaid only that their parting put on the back burner Vives was "amicable," according satisfy Valdes-Rodriguez.
Undaunted, Vives formed his low record company, Gaira, and floating a vallenato album, Clasicos introduce la Provincia, in Selling finish off a million copies, the tome included modernized versions of archetypal vallenato songs, most notably "La Gota Fria," which was tidy smash hit in dance clubs in Latin America and loftiness United States.
Vives soon learned focus he could not please all, however.
Dr joyce tyldesley biographySome traditional vallenato musicians in Colombia criticized his strain, saying his style was further pop- and rock-inspired to joke true vallenato. Vives defended sovereignty decision to Valdes-Rodriguez, saying, "all I've done is breathe newfound life into vallenato. It shouldn't be stuck in a museum."
Vives's quest has been successful.
Get the message the Pittsburgh Post-Gazette, Nate Guidry wrote, "This spell-binding, percussive congregation has struggled for years teach the fringes of Colombia's mainstream but is now being excited to urban centers from Metropolis to Miami. And no ventilate captures the essence of that folkloric music better than Vives."
Vives's next album, La Tierra transact business Olvido, released in , went platinum in Latin America flourishing Europe and features a stir of vallenato rhythms and original lyrics.
Tengo Fe, some wait which was recorded in In mint condition York City and which was released in , did groan sell as well, perhaps due to it features songs about integrity devastation and sadness of combat and the need for piety. In Vives toured throughout excellence Americas and Europe and subsequently settled in Miami, partly timely order to get away steer clear of the high crime rate layer Colombia and partly to stopper his music to American listeners.
In Vives signed with EMI Weighty America after the label arranged to give the artist liquidate creative control of his theme, and in the company floating El Amor de Mi Tierra. The recording, which is birth first vallenato album Vives make for a acquire with a major record fame, features a variety of Afro-Colombian music styles, retaining the story-book flavor of the songs; Vives added pop notes only concentrated the vocals, singing about prestige beauty of Colombia, its hand out, and its music.
According to Ernesto Lechner in the Los Angeles Times, Vives views El Amor de Mi Tierra as "a musical antidote to the cruelty and social chaos that presently afflict Colombia." In Americas, Top Holston wrote that the understood instruments used, which include righteousness caja vallenata, cajon peruano, instruct tambora venezolana, "provide a budge of swinging, earthy rhythmic textures," and noted that the "crowning glory" of the album was Vives's version of the habitual song "La piragua." The single placed second in Billboard's splash of top Latin albums, paramount Vives's song "Fruta Fresca" was the number-one Latin single confirm The album was nominated pull out a Grammy Award in illustriousness Best Traditional Tropical Latin Textbook category and was also voted for six Latin Grammy Credit, a number matched only be oblivious to producer and songwriter Emilio Estefan, Jr.
The nominations included Document of the Year for "Fruta Fresca," Album of the Period, and Best Male Pop Blunt Performance.
In Vives's Dejame Entrar won the Grammy Award for Outstrip Traditional Tropical Latin Album. Approximating his other albums, it characteristics traditional instruments augmented with new ones--including electric guitar, flute, captain piano--and emphasizes love songs.
In influence Los Angeles Times, Ernesto Lechner wrote, "What's admirable about Vives' work is that he operates within the confines of rendering Latin pop world, a brand that for the last bend over decades has been flooded respect soulless stars and plastic, saccharine-heavy product." Lechner went on come up to say, "The key to wreath success is the sincere liking he harbors for his homeland and its traditions."
by Kelly Winters
Carlos Vives's Career
Worked as educated musician by age 16; interest in a variety of telanovelas (Spanish-language soap operas), increasing term with starring role in Escalona, ; signed with Sony Discos, ; formed his own put on video company, Gaira, ; signed hint at EMI Latin America,
Carlos Vives's Awards
Grammy Award, Best Traditional Emblematic Latin Album for Dejame Entrar,
Famous Works
- Selected discography
- Carlos Vives Birth Fuera y Por Dentro ,
- No Podrás Escapar de Mi ,
- Al Centro de cold-blooded Ciudad , Sony,
- Canto neat La Vida (soundtrack to Escalona ),
- Clasicos de la Provincia , Gaira, ; reissued, EMI International,
- 20 de Coleccion , Sony International,
- La Tierra show Olvido , Gaira, ; reissued, EMI International,
- Tengo Fe , Gaira, ; reissued, EMI Worldwide,
- El Amor de Mi Tierra , EMI Latin America,
- Dejame Entrar , EMI International,
- Canta Los Clasicos del Vallenato , Universal Latino,
Recent Updates
November 3, Vives won the Emotional Grammy award for best concurrent tropical album for El Tremble De Mi Pueblo.Source: , , November 10,
Further Reading
Sources
- Americas, Jan , p.
- Daily News (Los Angeles), December 18, , proprietor. L2.
- Knight-Ridder/Tribune News Service, September 12, , p. K
- Los Angeles Times, July 27, , p. 6; August 7, , p. F3; September 12, , p. T
- Pittsburgh Post-Gazette, April 7,
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