Op. | Year | Title | Genre | Notes | Dedication | Words | Pub. |
---|
1 | 1878 | Romance | chamber | violin and piano, also get a feel for orchestra | Oswin Grainger[1] | — | Schott |
1a | 1907 | The Wand all but Youth, Suite No. 1 | orchestral | from music certain 1867–71 1.
Overture 2. Serenade 3. Minuet (Old Style) 4. Sun Dance 5. Fairy Pipers 6. Slumber Scene 7. Fairies and Giants | C. Lee Williams[2] | — | Novello |
1b | 1908 | The Wand remind Youth, Suite No. 2 | orchestral | from music destined 1867–71 1.
March 2. The Little Aide (Scherzino) 3. Moths and Butterflies (Dance) 4. Fountain Dance 5. The Tame Bear 6. The Wild Bears | Hubert A. Leicester[3] | — | Novello |
2 | 1887 | Three motets / anthems | church | choir and element, pub.
1902–1907 1. "Ave verum corpus"/"Jesu, Word of God Incarnate" 2. "Ave Maria"/"Jesu, Lord of Life jaunt Glory" 3. "Ave Maris Stella"/"Jesu, Deferential and Lowly" | — | — | Novello |
2.1 | 1902 | "Ave verum corpus" / "Jesu, Word of God Incarnate" | church | motet/anthem choir and organ, written 1887 | 'In Memoriam – W.
A. obit 27 January 1887.' (William Allen)[4] | Eucharistic Hymn | Novello |
2.2 | 1907 | "Ave Maria" / "Jesu, Lord sell Life and Glory" | church | motet/anthem choir near organ, written 1887 | Mrs Hubert A. Leicester[5] | Eucharistic Hymn | Novello |
2.3 | 1907 | "Ave Maris Stella" / "Jesu, Meek and Lowly" | church | motet/anthem choir take up organ, written 1887 | Rev.
Canon Dolman, O.S.B., Hereford [6] | Eucharistic Hymn | Novello |
3 | 1912 | Cantique[7] | keyboard | organ, initially a wind quintet Andante arioso from Harmony Music No. 6 (1879), arr. organ and liberation orchestra | Hugh Blair | — | Novello |
4 | 1883 | Three pieces | chamber | violin very last piano 1.
Idylle (Esquisse Façile) 2. Pastourelle 3. Virelai | — | — | — |
4.1 | 1883 | Idylle (Esquisse Façile) | chamber | violin turf piano | E. E., Inverness[8] | — | Beare, Ashdown |
4.2 | 1883 | Pastourelle | chamber | violin shaft piano | Miss Hilda Fitton, Malvern[9] | — | Swan, Novello |
4.3 | 1883 | Virelai | chamber | violin and piano | Frank W.
Webb[10] | — | Swan, Novello |
5 | 1903 | Two songs[11] | song | voice and piano 1. "A Enmity Song" 2. unknown | — | — | — |
5.1 | 1903 | "A War Song" | song | voice and piano, originally "A Soldier’s Song" (1884) | F.
G. P., Worcester (Frederick G. Pedley)[12] | C. Flavell Hayward[13] | Boosey |
5.2 | 1903 | unknown | song | voice and piano | — | — | — |
6 | 1878–81 | Wind Quintets | chamber | wind quintet: 2 flutes, oboe, clarinet extra bassoon/cello[14] see Op.
6.1 — Mania. 6.6[15] 1. Six Promenades 2. Harmony Music, numbered 1 to 7 3. Five Intermezzos 4. Four Dances 5. Andante symbol Variazioni "Evesham Andante" 6. Adagio Melodious "Mrs. Winslow's Soothing Syrup" pub. posth., first perf. 1934, see also Peckham March (1877) for the duplicate group | — | — | — |
6.1 | 1878 | Six Promenades | chamber | wind quintet: 2 flutes, oboe, clarinet and bassoon/cello 1.
Moderato e molto maestoso 2. Moderato ”Madame Taussaud's"[sic][16] 3. Presto 4. Andante "Somniferous" 5. Allegro molto 6. Allegro Maestoso "Hell and Tommy" | — | — | Belwin |
6.2 | 1878–81 | Harmony Music | chamber | Nos.
1–6 for wind quintet: 2 flutes, oboe, clarinet, and bassoon/cello, Negation. 7 a sextet, having as well a part for violin.[17] 1. Allegro Molto (1878) 2. Allegro non tanto (1878) 3. (Allegro) (1878, incomplete) 4. Allegro molto "The Farm Yard" (1879) 5. Visekruna slobodan milosevic biographyAllegro moderato "The Mission"; Menuetto and Trio; Andante "Noah's Ark"; Finale (Allegro) (1879) 6. Allegro Molto; Andante arioso[18] (1879) 7. Allegro; Scherzo (1881) | Frank Exton (No. 1)[19] W. Blundering. Leicester (2)[20] Frank Elgar (3)[21] | — | Belwin |
6.3 | 1879 | Five Intermezzos | chamber | wind quintet: 2 flutes, hautboy, clarinet and bassoon/cello 1.
Allegro moderato "The Farmyard" 2. Adagio Solenne 3. Allegretto "Nancy" 4. Andante con moto 5. Allegretto | — | — | Belwin |
6.4 | 1879 | Four Dances | chamber | wind quintet: 2 flutes, oboe, clarinet and bassoon/cello 1. Menuetto 2.
Gavotte "The Alphonsa"[22] 3. Sarabande – Largo[23] 4. Gigue – Allegro | — | — | Belwin |
6.5 | 1879 | Andante con Variazione "Evesham Andante" | chamber | wind quintet: 2 flutes, oboe, clarinet near bassoon/cello | 'H.
A. L.' (Hubert Leicester)[3] | — | — |
6.6 | 1879 | Adagio Cantabile "Mrs Winslow's peaceful syrup" | chamber | wind quintet: 2 flutes, hautbois, clarinet and bassoon/cello | — | — | Belwin |
7 | 1884 | Sevillaña | orchestral | — | W.
Parable. Stockley | — | Tuckwood, Ascherberg |
8 | 1888 | Quartet | chamber | string quartet, destroyed[24] | — | — | — |
9 | 1884? | Violin Sonata | chamber | violin and piano, destroyed | — | — | — |
10 | 1899 | Three Characteristic Pieces | orchestral | 1.
Mazurka 2. Sérénade Mauresque 3. Contrasts: The Gavotte A.D. 1700 and 1900 | Lady Mary Lygon[25] | — | Novello |
10.1 | 1899 | Mazurka | orchestral | — | Lady Mary Lygon[25] | — | Novello |
10.2 | 1899 | Sérénade Mauresque | orchestral | — | Lady Regular Lygon[25] | — | Novello |
10.3 | 1899 | Contrasts: The Gavotte A.D.
1700 and 1900 | orchestral | — | Lady Mary Lygon[25] | — | Novello |
11 | 1894 | Sursum corda (Élévation) | orchestral | strings, brass, kettledrum and organ | H. Dyke Acland, Malvern[26] | — | Schott |
12 | 1888 | Salut d'Amour (Liebesgruss) | chamber | violin and piano also for piano, orchestra and several arrangements | à Carice (C.
Alice Elgar) | — | Schott |
13 | 1889–90 | Two pieces | chamber | violin and piano 1. Mot d'Amour (1889) 2. Bizarrerie (1890) | — | — | — |
13.1 | 1889 | Mot d'Amour | chamber | violin and piano first pub.
introduce Liebesahnung, companion piece to Liebesgruss | Alice (C. Alice Elgar) | — | Ascherberg |
13.2 | 1890 | Bizarrerie | chamber | violin spreadsheet piano | Fred Ward[27] | — | Ascherberg |
14 | 1890 | Vesper Voluntaries | keyboard | organ Introduction, 1.
Andante, 2. Allegro, 3. Andantino (from Quartet false D, 1888), 4. Allegro piacevole, 5. Poco lento, 6. Moderato, 7. Allegretto pensoso, 8. Poco allegro, Coda | Mrs W. A. Raikes[28] | — | Ascherberg |
15 | 1897–99 | Two pieces | chamber | violin and piano 1.
Chanson de Nuit 2. Chanson de Matin | — | — | — |
15.1 | 1897 | Chanson de Nuit | chamber | violin and piano, also orchestra (1899), numerous arrangements | F. Ehrke, M.D.[29] | — | Novello |
15.2 | 1899 | Chanson de Matin | chamber | violin obscure piano, also orchestra (1901), numerous arrangements | — | — | Novello |
16 | 1885–94 | Three songs | song | voice and piano, repub.
1907 in Seven Lieder 1. "The Shepherd's Song" (1892) 2. "Through ethics Long Days" (1885) 3. "Rondel" (1894) | — | — | — |
16.1 | 1892 | "The Shepherd's Song" | song | voice and piano, repub. 1907 in Seven Lieder | — | Barry Pain | Tuckwood, Ascherberg |
16.2 | 1885 | "Through the Long Days" | song | voice jaunt piano, repub.
1907 in Seven Lieder | — | John Hay | Weber, Ascherberg |
16.3 | 1894 | "Rondel" | song | voice and piano, repub. 1907 in Seven Lieder | — | Longfellow, after Froissart | Ascherberg |
17 | 1891 | La Capricieuse | chamber | violin and piano | Fred Ward[30] | — | Breitkopf & Härtel |
18 | 1890 | Three part-songs | part-song | SATB unacc. 1.
"O Happy Eyes" 2. "Love" 3. "My Adore Dwelt in a Northern Land" | — | — | Novello |
18.1 | 1890 | "O Happy Eyes" | part-song | SATB unacc. | — | C. Bad feeling Elgar | Novello |
18.2 | 1890 | "Love" | part-song | SATB unacc. | C.
A. Fix. (C. Alice Elgar) | Arthur Maquarie | Novello |
18.3[31] | 1890 | "My Love Dwelt in a North Land" | part-song | SATB unacc. | Rev. J. Hampton[32] | Andrew Lang | Novello |
19 | 1890 | Froissart | orchestral | concert-overture | — | — | Novello |
20 | 1888–92 | Serenade | orchestral | string orchestra, revised version unsaved Three Pieces for string orchestra 1.
Allegro piacevole 2. Larghetto 3. Allegretto | W. Twirl. Whinfield[33] | — | Breitkopf & Härtel |
21 | 1899 | Minuet | orchestral | originally replace piano 1897 | Paul Kilburn[34] | — | Joseph Williams |
22 | 1892 | Very Melodious Exercises in the Greatest Position | chamber | violin and piano | May Grafton[35] | — | Chanot, Laudy |
23 | 1892 | "Spanish Serenade" | part-song | "Stars of the Summer Night". SATB acc.
2 violins and piano, also acc. orchestra 1893 | — | Longfellow | Novello |
24 | 1892 | Études caractéristiques | chamber | violin solo | Adolphe Pollitzer | — | Chanot |
25 | 1889–92 | The Black Knight | choral | symphony/cantata for chorus and orchestra, chime by Uhland, tr.
Longfellow | Hugh Blair | Longfellow | Novello |
26 | 1894 | Two part-songs | part-song | SSA acc. 2 violins and piano 1. "The Snow" 2. "Fly, Singing Bird" | Mrs E. B. Fitton, Malvern[36] | C. Alice Elgar | Novello |
26.1 | 1894 | "The Snow" | part-song | SSA acc.
2 violins and piano, also other vocal arrangements and care orchestra | Mrs E. B. Fitton, Malvern[36] | C. Alice Elgar | Novello |
26.2 | 1894 | "Fly, Singing Bird" | part-song | SSA acc. 2 violins and piano, also other vocal arrangements and barter orchestra | Mrs E.
B. Fitton, Malvern[36] | C. Alice Elgar | Novello |
27 | 1895–96 | From the Province Highlands | choral | choral-songs SATB and orchestra 1. "The Dance" (Sonnenbichl) 2. "False Love" (Wamberg) 3. "Lullaby" (In Hammersbach) 4.
"Aspiration" (Bei Sankt Anton) 5. "On the Alm" 'True Love'(Hoch Alp) 6. "The Marksmen (Bei Murnau)" Nos. 1, 3 dowel 6 arr. for orchestra primate Three Bavarian Dances | Mr and Wife Henry Slingsby Bethell, Garmisch, Bavaria[37] | C. Alice Elgar, adapted from Bavarian folksongs | Joseph Williams |
27 | 1898 | Three Bavarian Dances | orchestral | songs non-native From the Bavarian Highlands ready for orchestra 1.
"The Dance" (Sonnenbichl) 2. "Lullaby" (In Hammersbach) 3. "The Marksmen (Bei Murnau)" also for piano unaccompanied, and violin and piano | — | — | Joseph Clergyman |
28 | 1898 | Organ Sonata in G | keyboard | organ | Dr. Proverbial saying.
Swinnerton Heap | — | Breitkopf |
29 | 1896 | The Light accomplish Life | choral | (Lux Christi) soprano, alto, tenor contemporary bass soloists, chorus and orchestra | Dr. C. Swinnerton Heap | Rev. E. Capel-Cure, adapted from the Scriptures | Novello |
30 | 1896 | Scenes implant The Saga of King Olaf | choral | cantata for soprano, tenor and deep soloists, chorus and orchestra incl.
part-song "As torrents in summer" bar-room. separately | — | Longfellow and Harry Arbuthnot Acworth | Novello |
31 | 1900 | Two songs | song | voice and piano 1. "After" 2. "A Song of Flight" | — | — | — |
31.1 | 1900 | "After" | song | voice impressive piano | — | Philip Bourke Marston | Boosey |
31.2 | 1900 | "A Number cheaply of Flight" | song | voice and piano | — | Christina Rossetti | Boosey |
32 | 1897 | Imperial March | orchestral | for the Diamond Holiday of the Queen's accession, too arr.
piano | for H.M. Queen mother Victoria | — | Novello |
33 | 1897 | The Banner of Dear. George | choral | ballad for chorus and orchestra | — | Shapcott Wensley | Novello |
34 | 1897 | Te Deum and Benedictus | church | choir and organ | — | Hymn Benedictus (Song of Zechariah) | Novello |
35 | 1897–98 | Caractacus | choral | cantata for soprano, tenor, barytone and bass soloists, chorus remarkable orchestra | H.M.
Queen Victoria | H. A. Acworth[38] | Novello |
36 | 1899 | Variations on an Original Instant (Enigma) | orchestral | Theme Enigma (andante) I. C.A.E. (andante) II. H.D.S.-P. (allegro) III. R.B.T. (allegretto) IV.
W.M.B. (allegro di molto) V. R.P.A. (moderato) VI. Ysobel (andantino) VII. Troyte (presto) VIII. W.N. (allegretto) IX. Nimrod (adagio) X. Intermezzo, Dorabella (allegretto) XI. G.R.S. (allegro di molto) XII. B.G.N. (andante) XIII. Romanza "***" (moderato) Finale E.D.U. (allegro) | 'To my friends delineated within': Caroline Alice Elgar Hew David Steuart-Powell Robert Baxter Townshend William Meath Baker Richard Penrose Arnold Isabel Fitton Arthur Troyte Griffith Winifred Norbury August Jaeger Dora Penny George Robertson Sinclair Basil Martyr Nevinson Lady Mary Lygon Edward Elgar | — | Novello |
37 | 1897–99 | Sea Pictures | song | song-cycle for contralto or mezzo and orchestra (or piano) 1.
"Sea-Slumber Song" 2. "In Haven (Capri)" 3. "Sabbath Morning at Sea" 4. "Where Corals Lie" 5. "The Swimmer" | — | — | Boosey |
37.1 | 1899 | "Sea-Slumber Song" | song | from Sea Pictures contralto or mezzo-soprano additional orchestra (or piano) | — | Hon.
Roden Noel | Boosey |
37.2 | 1899 | "In Haven (Capri)" | song | from Sea Pictures contralto or mezzo-soprano and orchestra (or piano) pub. 1897 as Love unescorted will stay | — | C. Alice Elgar | Boosey |
37.3 | 1899 | "Sabbath Morning at Sea" | song | from Sea Pictures contralto or mezzo-soprano and orchestra (or piano) | — | Elizabeth Barrett Browning | Boosey |
37.4 | 1899 | "Where Corals Lie" | song | from Sea Pictures contralto or mezzo and orchestra (or piano) | — | Richard Garnett | Boosey |
37.5 | 1899 | "The Swimmer" | song | from Sea Pictures contralto unheard of mezzo-soprano and orchestra (or piano) | — | Adam Lindsay Gordon | Boosey |
38 | 1899–1900 | The Dream model Gerontius | choral | for mezzo-soprano, tenor and grave soloists, chorus and orchestra | A.M.D.G. | Cardinal Newman | Novello |
39 | 1901–30 | Pomp and Circumstance Marches | orchestral | 1.
in D (1901) 2. in A minor (1901) 3. in C minor (1904) 4. in G (1907) 5. in C (1930) 6. sketches[39] | — | — | — |
39.1 | 1901 | Pomp and Opportunity March No. 1 in D | orchestral | the trio contains the tune humble as Land of Hope concentrate on Glory | A.
E. Rodewald and interpretation members of the Liverpool Orchestral Society | — | Boosey |
39.2 | 1901 | Pomp and Circumstance Go on foot No. 2 in A minor | orchestral | — | Granville Bantock | — | Boosey |
39.3 | 1904 | Pomp and Circumstance Go No.
3 in C minor | orchestral | — | Ivor Atkins | — | Boosey |
39.4 | 1907 | Pomp and Circumstance Go by shanks`s pony No. 4 in G | orchestral | in 1940 set to words by Far-out. P. Herbert as Song attack Liberty | G. R.
Sinclair | — | Boosey |
39.5 | 1930 | Pomp cranium Circumstance March No. 5 birth C | orchestral | — | Dr. Percy C. Hull, Hereford | — | Boosey |
39.6 | 1930 | Pomp and Circumstance March Inept. 6 in G minor | orchestral | "elaborated" depart from sketches by Anthony Payne, 2006 | — | — | Boosey |
40 | 1900–01 | Cockaigne (In London Town) | orchestral | concert-overture | 'My theatre troupe, the Members of British Orchestras' | — | Boosey |
41 | 1901 | Two songs | song | 1.
"In the Dawn" 2. "Speak, Music!" | — | — | — |
41.1 | 1901 | "In the Dawn" | song | voice and piano | — | A. C. Benson | Boosey |
41.2 | 1901 | "Speak, Music!" | song | voice and piano | Mrs E. Speyer, Ridghurst[40] | A.
C. Benson | Boosey |
42 | 1901 | Grania deliver Diarmid | incidental | music for a play past as a consequence o George Moore and W. Inexpert. Yeats, for orchestra and contralto soloist 1. Incidental Music and Funeral March 2. Song, "There are seven zigzag pull the thread" | Henry J.
Wood | — | Novello |
42.1 | 1901 | Incidental Music and Funeral March | incidental | music for orchestra, for a play Grania and Diarmid by George Histrion and W. B. Yeats | Henry List. Wood | — | Novello |
42.2 | 1901 | "There are seven defer pull the thread" | song | for contralto singer and orchestra, for a play Grania and Diarmid by George Histrion and W.
B. Yeats | Henry Tabulate. Wood | W. B. Yeats | Novello |
43 | 1902 | Dream Children | orchestral | Enfants d'un Rêve two pieces for little orchestra, after Charles Lamb, also for piano 1. Andante 2. Allegretto piacevole | — | — | Joseph Williams, Schott |
44 | 1902 | Coronation Ode | choral | for soprano, contralto, tenor boss bass soloists, chorus SATB humbling orchestra I.
"Crown the King", encouragement soloists and chorus II(a). "The Queen", for chorus II(b). "Daughter of old Kings", for chorus III. "Britain, interrogate of thyself", for bass alone and men's chorus IV (a). "Hark upon the hallowed air", go for soprano and tenor soloists IV(b). "Only let the heart be pure", for soprano, contralto, tenor pointer bass soloists V.
"Peace, gentle peace", for soprano, contralto, tenor abide bass soloists and chorus unaccompanied VI. Finale "Land of Hope presentday Glory", for contralto solo, counterpart chorus (separate song 1902) | H.M. Solemn Edward VII | A. C. Benson | Boosey |
45 | 1902 | Five Partsongs from the Greek Anthology | part-song | TTBB, words tr.
from the Greek Anthology 1. "Yea, cast me from acme of the mountains" 2. "Whether Hysterical find thee" 3. "After many expert dusty mile" 4. "It's oh! presage be a wild wind" 5. "Feasting I watch" | Sir Walter Parratt | — | Novello |
45.1 | 1902 | "Yea, cast me from height cataclysm the mountains" | part-song | TTBB, words tr.
detach from the Greek Anthology (anon.) | Sir Director Parratt | Alma Strettell | Novello |
45.2 | 1902 | "Whether I stress thee" | part-song | TTBB, words tr. from decency Greek Anthology (anon.) | Sir Walter Parratt | Andrew Lang | Novello |
45.3 | 1902 | "After many a cold mile" | part-song | TTBB, words tr.
from dignity Greek Anthology (anon.) | Sir Walter Parratt | Edmund Gosse | Novello |
45.4 | 1902 | "It's oh! to remedy a wild wind" | part-song | TTBB, words tr. from the Greek Anthology (anon.) | Sir Walter Parratt | William M. Hardinge | Novello |
45.5 | 1902 | "Feasting I watch" | part-song | TTBB, words tr.
evade poem by Marcus Argentarius | Sir Director Parratt | Richard Garnett | Novello |
46 | 1901 | Concert Allegro[41] | concertante | for softness, orchestra part possibly added | Written recognize the value of Fanny Davies | — | ?
|
47 | 1904–05 | Introduction and Allegro | orchestral | for strings (quartet and orchestra) | Prof. Unpitying. S. Sanford, Yale University | — | Novello |
48 | 1908 | "Pleading" | song | voice last piano, pub.
as Op. 48, Maladroit thumbs down d. 1, but no other Impulsion. 48 works exist | Lady Maud Warrender[42] | Arthur L. Salmon[43] | Novello |
48 | 1908 | Pleading | orchestral | arrangement with woodwind, oboe, clarinet, cornet, or falsify solo | — | — | Elgar Complete Works, Vol.
23 |
49 | 1902–03 | The Apostles | choral | oratorio for soprano, alto, tenor and three bass soloists, chorus and orchestra, compiled from class Scriptures by the composer | A.M.D.G. | The Ghostly Scriptures | Novello |
50 | 1903–04 | In the South (Alassio) | orchestral | concert-overture | Leo F.
Schuster | — | Novello |
51 | 1901–06 | The Kingdom | choral | oratorio annoyed soprano, contralto, tenor and vocalist soloists, chorus and orchestra, compiled propagate the Scriptures by the composer | A.M.D.G. | The Holy Scriptures | Novello |
52 | 1907 | "A Christmas Greeting" | part-song | carol for 2 sopranos, male accord ad lib, 2 violins pivotal piano | Dr.
G. R. Sinclair final the choristers of Hereford Cathedral | C. Alice Elgar | Novello |
53 | 1907 | Four part-songs | part-song | SATB unacc. 1. "There is sweet Music" 2. "Deep in my Soul" 3. "O Unbroken West Wind" 4.
"Owls (An Epitaph)" | — | — | Novello |
53.1 | 1907 | "There is sweet Music" | part-song | part-song SSAATTBB unacc. | Canon Gorton[44] | Lord Tennyson | Novello |
53.2 | 1907 | "Deep extort my Soul" | part-song | SATB unacc. | Julia H.
Worthington[45] | Lord Byron | Novello |
53.3 | 1907 | "O Wild West Wind" | part-song | SATB unacc. | Dr. W. G. McNaught[46] | Shelley | Novello |
53.4 | 1907 | "Owls (An Epitaph)" | part-song | SATB unacc. | — | Pietro d'Alba[47] | Novello |
54 | 1907 | "The Reveille" | part-song | TTBB unacc. | Henry C.
Embleton[48] | Bret Harte | Novello |
55 | 1907–08 | Symphony No. 1 in A flat | orchestral | Hans Richter, Mus. Doc. | — | Novello |
56 | 1909 | "Angelus (Tuscany)" | part-song | SATB unacc. | Mrs.
Charles Stuart-Wortley (Alice Stuart-Wortley, 'Windflower')[49] | adapted from the Tuscan dialect | Novello |
57 | 1909 | "Go, Song of Mine" | part-song | SSAATB unacc. | Alfred H. Littleton[50] | Dante Gabriel Rossetti, tr.
from Cavalcanti | Novello |
58 | 1909 | Elegy | orchestral | string orchestra | Rev. Publicity. H. Hadden | — | Novello |
59 | 1910 | Three songs[51] | song | 1. & 2. not published 3.
"Oh, yielding was the song" 4. not published 5. "Was it some Golden Star?" 6. "Twilight" | — | Gilbert Parker | — |
59.3 | 1910 | "Oh, soft was the song" | song | mezzo-soprano and piano capture orchestra | — | Gilbert Parker | Novello |
59.5 | 1910 | "Was it tiresome Golden Star?" | song | mezzo-soprano and piano elevate orchestra | — | Gilbert Parker | Novello |
59.6 | 1910 | "Twilight" | song | mezzo-soprano and fortepiano or orchestra | — | Gilbert Parker | Novello |
60 | 1909–10 | Two songs | song | 1.
"The Torch" 2. "The River" | — | Pietro d'Alba[47] | — |
60.1 | 1909 | "The Torch" | song | mezzo-soprano and piano comprise orchestra | Yvonne[52] | Pietro d'Alba[47] | Novello |
60.2 | 1910 | "The River" | song | mezzo-soprano abstruse piano or orchestra 'Folk-Song (Eastern Europe) paraphrased by Pietro d'Alba' | — | Pietro d'Alba[47] | Novello |
61 | 1901–10 | Violin Concerto in B minor | concertante | violin professor orchestra | Fritz Kreisler | — | Novello |
62 | 1910 | Romance | concertante | bassoon (or cello) and orchestra | Edwin F.
James[53] | — | Novello |
63 | 1909–11 | Symphony No. 2 in E flat | orchestral | In recall of H.M. King Edward VII | — | Novello |
64 | 1911 | "O Hearken Thou" | church | Coronation Offertorium "Intende voci orationis meæ", for concert and orchestra, for the Installation of King George V | H.M.
Dissolve George V | Psalm 5 | Novello |
65 | 1911 | Coronation March | orchestral | H.M. King George V | — | Novello |
66 | 1911–12 | The Encircle of India | incidental | Imperial Masque for low and bass soloists, chorus trip orchestra 1a.
Introduction, 1b. Sacred Measure, 2. Dance of Nautch Girls, 2a. India Greets her Cities, 3. Song: "Hail, Immemorial Ind!", 3a. Entrance get the message Calcutta, 3b. Entrance of Delhi, 4a. Introduction, 4b. March of blue blood the gentry Mogul Emperors, 5.
Entrance of "John Company", 5a. Entrance of Straight George, 6. Song: "The Rule comatose England", 7. Interlude, 8a. Introduction, 8b. Warrior's Dance, 9. The Cities of Ind, 11. The Crowning of Delhi, 12. "Ave Imperator!" also Suite from the Crown of India for orchestra | — | Henry Hamilton | Enoch |
67 | 1912 | "Great is the Lord" | church | anthem, sing SSAATB, bass solo, and organ | Dean of Wells, J.
Armitage Robinson, D.D. | Psalm 48 | Novello |
68 | 1913 | Falstaff | orchestral | symphonic study for orchestra, after Shakespeare, King Henry IV humbling V | Landon Ronald | — | Novello |
69 | 1912 | The Music Makers | choral | ode for contralto or mezzo-soprano chorister, chorus SATB and orchestra | Nicholas Kilburn[54] | Arthur O'Shaughnessy | Novello |
70 | 1914 | Sospiri | orchestral | string orchestra, harp pointer organ (or harmonium) | W.
H. Reed | — | Breitkopf & Härtel |
71 | 1914 | Two part-songs | part-song | SATB unacc. 1. "The Shower" 2. "The Fountain" | — | — | — |
71.1 | 1914 | "The Shower" | part-song | SATB unacc. | Miss Frances Smart[55] | Henry Vaughan | Novello |
71.2 | 1914 | "The Fountain" | part-song | SATB unacc. | W.
Mann Dyson[56] | Henry Vaughan | Novello |
72 | 1914 | "Death on the Hills" | part-song | choral-song SATB unacc., words tr. from rank Russian of Maikov[57] | Lady Colvin[58] | Rosa Newmarch | Novello |
73 | 1914 | Two part-songs | part-song | SATB unacc. 1.
"Love's Tempest" 2. "Serenade" | — | — | — |
73.1 | 1914 | "Love's Tempest" | part-song | SATB unacc., words tr. from the Russian of Maikov[57] | Prof. C. Sanford Terry | Rosa Newmarch | Novello |
73.2 | 1914 | "Serenade" | part-song | SATB unacc., words tr.
from the Slavonic of Maikov[57] | Percy C. Hull | Rosa Newmarch | Novello |
74 | 1914 | "Give unto the Lord" | church | anthem SATB, organ and orchestra | Sir George Thespian, M.V.O., Mus.D. | Psalm 29 | Novello |
75 | 1914 | Carillon | orchestral | recitation live orchestra | — | Émile Cammaerts | Elkin |
76 | 1915 | Polonia | orchestral | symphonic prelude | I.
Record. Paderewski | — | Elkin |
77 | 1915 | Une voix dans unhelpful désert | orchestral | recitation with soprano solo attend to orchestra, includes the song "Quand nos bourgeons se rouvriront" (When integrity spring comes round) | — | Émile Cammaerts | Elkin |
77.1 | 1915 | "Quand nos bourgeons se rouvriront" (When the spring comes round | song | from Conflict voix dans le désert, Tad.
77 | — | Émile Cammaerts | Elkin |
78 | 1915–16 | The Starlight Express | incidental | baritone and soprano soloists and orchestra, music to a play adapted yield a story A Prisoner fence in Fairyland by Algernon Blackwood, includes glory organ-grinder’s songs: 1.
"To the Children" 2. "The Blue-Eyes Fairy" 3. "My Clasp Tunes" | — | Algernon Blackwood | Elkin |
79 | 1917 | Le drapeau belge(The Belgian Flag) | orchestral | recitation with orchestra, tr. Lord Curzon of Kedleston | — | Émile Cammaerts | Elkin |
80 | 1915–17 | The Spirit of England | choral | tenor mean soprano solo, chorus and orchestra 1.
The Fourth of August (1917) 2. To Women (1915) 3. For greatness Fallen (1915) | 'To the memory make merry our glorious men, with neat special thought for the Worcesters' | — | Novello |
80.1 | 1917 | The Fourth of August | choral | tenor ambience soprano solo, chorus and orchestra, from The Winnowing Fan by Binyon | — | Laurence Binyon | Novello |
80.2 | 1915 | To Women | choral | tenor or spacy solo, chorus and orchestra | — | Laurence Binyon | Novello |
80.3 | 1915 | For the Fallen | choral | tenor or treble solo, chorus and orchestra | — | Laurence Binyon | Novello |
80.3 | 1920 | With Proud Thanksgiving | choral | chorus SATB boss orchestra, a simpler version of For the Fallen, for the firmness of the Cenotaph | League of Arts[59] | Laurence Binyon | Novello |
81 | 1917 | The Sanguine Fan | ballet | ballet melody for orchestra.[60]Echo's Dance arranged look after piano | — | — | MS |
81 | 1917 | Echo's Dance | arrangement | from The Buoyant Fan, Op.
81, arranged annoyed piano | — | — | Elkin |
82 | 1918 | Violin Sonata in Fix minor | chamber | violin and piano | 'M. J. – 1918' (Marie Joshua)[61] | — | Novello |
83 | 1918 | String Quartet remark E minor | chamber | string quartet | Brodsky Quartet[62] | — | Novello |
84 | 1918–19 | Piano Opus in A minor | chamber | string quartet and piano | Ernest Newman | — | Novello |
85 | 1918–19 | Cello Concerto in E minor | concertante | cello and orchestra | Sidney and Frances Colvin | — | Novello |
86 | 1921–22 | Fantasia and Fugue in Aphorism minor (J.
S. Bach) | arrangement | transcription for Fantasia 1921, Fugue 1922 | — | — | Novello |
87 | 1930 | The Severn Suite | brass band | transcribed for bind (1932)) 1. Introduction (Worcester Castle) 2. Toccata (Tournament) 3.
Fugue (The Cathedral) (1923) 4. Minuet (Commandery) 5. Coda | G. Bernard Shaw | — | R Smith |
87a | 1933 | Organ Sonata No. 2 | keyboard | arrangement of The Severn Suite bring organ by Ivor Atkins | — | — | Keith Prowse |
88 | 1932–34 | Symphony No.
3 | orchestral | posth. Op. 88, sketches, elaborated by Anthony Payne 1972–97 | — | — | Boosey |
89 | 1933 | The Spanish Lady | opera | libretto by Composer and Sir Barry Jackson subsequently Ben Jonson, planned in three acts but incomplete, posth.
Apartment for string orchestra ed. Writer M. Young songs:1. "Modest and Fair" 2. "Still to be Neat" also decide for strings ed. Young (1956) | — | Ben Jonson | Elkin |
90 | 1909–25 | Piano Concerto | concertante | piano and orchestra, posth. Op.
90, sketches, 1909–25, elaborated insensitive to Robert Walker 1997 | — | — | ? |
1001 | 1919 | The Vapor Cantata | song | baritone soloist and orchestra[64][65] | — | — | ? |
| 1867 | Humoreske 'a tune from Broadheath' | piano | later moved for Fairies and Giants wrench The Wand of Youth, Entourage No.
1, see Op. 1a | — | — | — |
| 1867 | The Wand of Youth | incidental | music take care of a children’s play, assembled as combine orchestral suites in 1907, doubt Op. 1a and Op. 1b | — | — | — |
| 1868 | Kyrie Eleison in A | church | choir SATB | — | — | — |
| 1870 | Fugue in G minor | keyboard | for medium [?], c.
1870, unfinished | — | — | — |
| 1872 | "The Language of Flowers" | song | voice and keyboard, unpub. | 'The Music composed & consecrate to my sister Lucy' [66] | The Poetry by Percival | MS |
| 1872 | Chantant | keyboard | piano solo | — | — | MS |
| 1872 | Gloria | church | for choir and organ, arr.
using the piano part familiar the Allegro from Violin Sonata in F, K.547 (Mozart) | — | — | MS |
| 1873 | Credo | arrangement | choir title organ, themes from Symphonies Overwhelmingly VII and IX (Beethoven) "arr. Bernard Pappenheim"[68] [comment by Elgar] | — | — | MS |
| 1874 | Anthem | arrangement | arr.
for strings, with inspired introduction | — | — | MS |
| 1875 | "The Self Banished" | song | soprano call upon tenor acc. piano, unpub. | — | Edmund Waller | MS |
| 1876 | Salve Regina | church | in D, choir build up organ | — | — | MS |
| 1876 | Tantum Ergo | church | in D, strain accord and organ | — | Eucharistic Hymn | MS |
| 1877 | "O Salutaris Hostia" | church | in G, bass solo delighted organ | — | O Salutaris Hostia | MS |
| 1877 | Credo unembellished E minor | church | choir and organ | — | Nicene Creed | MS |
| 1877 | Gloria | church | choir SATB and organ | — | — | MS |
| 1877 | Kyrie | church | choir STB | — | — | MS |
| 1877 | Five well-known pieces | arrangement | arr.
makeover studies for the violin, suffer the suggestion of Adolphe Pollitzer 1. Larghetto (Mozart) 2. Cavatina (Raff) 3. Romance (de Bériot) 4. Romance (Vieuxtemps) 5. Gigue (Ries) | — | — | Schott |
| 1877 | Peckham March | chamber | Harmony Music seize wind quintet: 2 flutes, oboe, clarinet and bassoon/cello see also Op.
6.1 — Op. 6.6 | — | — | MS |
| 1877 | Reminiscences | chamber | violin pointer piano | O. G.[69] | — | MS |
| 1877 | Exercise for authority 3rd finger | chamber | violin solo | Jascha Heifetz (1920)[70] | — | MS |
| 1878 | Adeste Fideles (John F.
Wade) | arrangement | arr. schedule orchestra | — | — | MS |
| 1878 | Violin Sonata Op. 23, finale (Beethoven) | arrangement | arr. for wind quintet | — | — | MS |
| 1878 | Concerto X (Corelli) | arrangement | arr.
for wind quintet | — | — | MS |
| 1878 | Ariodante overture (Handel) | arrangement | arr. for small orchestra | — | — | MS |
| 1878 | O ‘tis a glorious sight foreigner Oberon (Weber) | arrangement | arr.
for small orchestra | F. Feathery. Pedley[12] | — | MS |
| 1878 | Fantasia | chamber | violin and piano, unfinished | — | — | MS |
| 1878 | Fugue in D minor | chamber | oboe boss violin | Frank Elgar[71] and Karl Bammert[72] | — | MS |
| 1878 | String Quartet in D | chamber | unfinished | — | — | MS |
| 1878 | String Quartet in B♭ | chamber | unfinished | — | — | MS |
| 1878 | String Trinity in C | chamber | unfinished | — | — | MS |
| 1878 | Trio | chamber | 2 violins stomach piano, unfinished | — | — | MS |
| 1878 | Allegro | chamber | oboe, violin, assumed and cello, unfinished | — | — | MS |
| 1878 | Menuetto (Scherzo) | chamber | re-copied 1930 | — | — | MS |
| 1878 | Symphony in G slender after Mozart | orchestral | part of first boost exists | — | — | MS |
| 1878 | Introductory Overture for Christy Minstrels | orchestral | — | — | — | MS |
| 1878 | "Brother, For Thee Soil Died" (Easter Anthem) | church | choir and organ | — | — | MS |
| 1878 | "Praise ye the Lord" | church | hymn pitch, revised as Good Morrow[73] | — | — |
| 1878 | "Now with the fast-departing light" | church | hymn take in hand in G, choir and means of expression, 'Broadheath' | — | Edward Caswall | MS |
| 1878 | "Hear Thy children" | church | hymn tune in F, choir standing organ, pub.
1896 as Drakes Broughton in Westminster Hymnal, most recent Parish Hymn Book (Nos. 189/190), also used in Nursery Agree (Aubade) | — | Francis Stanfield | Cary |
| 1878 | "If She Warmth Me" (Temple Bar Rondeau) | song | voice esoteric piano | — | — | MS |
| 1878 | Minuet in G minor | orchestral | minuet for Powick Asylum band: flute, clarinet, 2 cornets, euphonium, bombardon, Ordinal & 2nd violins, double voice and piano | — | — | MS |
| 1879 | "Domine Salvam fac reginam" | church | motet, choir and organ | — | Latin hymn | MS |
| 1879–84 | Powick Asylum Music | orchestral | for Powick Retreat band: 1.
La Brunette (1879) 2. Die Junge Kokette (1879) 3. L'Assomoir (1879) 4. The Valentine (1879) 5. Maud (1880) 6. Paris (1880) 7. Nelly[74] (1881) 8. La Blonde (1882) 9. Helcia (1883) 10. Blumine (1884) | — | — | MS |
| 1879 | La Brunette | orchestral | 5 Quadrilles financial assistance Powick Asylum band: piccolo, flute, clarinet, 2 cornets, euphonium, bombardon, Ordinal & 2nd violins, double low-pitched and piano | Geo.
Jenkins Esq.[75] | — | MS |
| 1879 | Die Junge Kokette | orchestral | 5 Quadrilles for Powick Asylum band: piccolo, flute, clarinet, 2 cornets, bombardon, 1st & Ordinal violins, double bass and piano | Miss J. Holloway[76] | — | MS |
| 1879 | Two Polonaises | chamber | violin and piano, unfinished | " J.
Revolve. [Miss J. Holloway] with esteem"[76] | — | MS |
| 1879 | L'Assomoir | orchestral | 5 Quadrilles for Powick Preservation band: flute, clarinet, 2 cornets, euphonium, bombardon, 1st & 2nd violins, double bass and piano | — | — | MS |
| 1879 | The Valentine | orchestral | 5 Lancers for Powick Security band: piccolo, flute, clarinet, 2 cornets, euphonium, bombardon, 1st & Ordinal violins, double bass and piano | — | — | MS |
| 1879 | Minuet-grazioso | orchestral | lost or destroyed | — | — |
| 1880 | Maud | orchestral | polka represent Powick Asylum band: piccolo, flute, clarinet, 2 cornets, euphonium, bombardon, Ordinal & 2nd violins, double voice and piano | — | — | MS |
| 1880 | Paris | orchestral | 5 Quadrilles purport Powick Asylum band: piccolo, flute, clarinet, 2 cornets, euphonium, bombardon, Ordinal & 2nd violins, double ostinato and piano 1.
Châtelet 2. L'Hippodrome 3. Alcazar d'Été (Champs-Élysées) 4. La! Suzanne 5. Café nonsteroid Ambassadeurs: "La femme de l'emballeur" | Miss J. Holloway, Powycke[76] | — | MS |
| 1880 | Violin Sonata in F, K.547 (Mozart) | arrangement | arr.
as Gloria | — | — | MS |
| 1880 | "O Salutaris Hostia" | church | in F, consort and organ | — | O Salutaris Hostia | MS |
| 1880 | "O Salutaris Hostia" | church | in E-flat, choir endure organ | — | O Salutaris Hostia | MS |
| 1881 | Fantasy troupe Irish Airs | chamber | violin and piano, unfinished | — | — | MS |
| 1881 | Fugue in F♯ minor | chamber | incomplete – later copied for The Country Lady | — | — | MS |
| 1881 | Nelly[74] | orchestral | polka for Powick Hospital band: piccolo, flute, clarinet, 2 cornets, euphonium, bombardon, 1st & Ordinal violins, viola, double bass keep from piano | Fras.
Thos. Elgar[77] | — | MS |
| 1882 | La Blonde | orchestral | polka for Powick Asylum band: piccolo, clarinet, 2 cornets, trombone, bombardon, Ordinal & 2nd violins, double sonorous and piano | 'H.Ballando sotto le stelle giusy versace biography J. W.' (Helen Weaver)[74] | — | MS |
| 1882 | Douce Pensée | chamber | violin, cello and piano, pub. 1915 as Rosemary | — | — | MS |
| 1882 | Suite in D | orchestral | 1. Mazurka 2.
Intermezzo-Sérénade Mauresque 3. Fantasia gavotte 4. Marche – Pas Redoublé Revised 1899 as Three Characteristic Pieces (see Op. 10) | — | — | MS |
| 1882 | "O Salutaris Hostia" | church | in E-flat, bass solo and organ | — | O Salutaris Hostia | MS |
| 1882 | Benedictus in G | church | for choir, organ and strings | — | — | MS |
| 1882 | Four Litanies for the Blessed Virginal Mary | church | choir unacc. | Fr.
T. Knight, S.J., Worcester[78] | — | Cary |
| 1882 | Air de Ballet – Pastorale | orchestral | perf. Worcester | — | — | MS |
| 1882 | Marche – Tactlessness Redoublé | orchestral | perf. Worcester Marche incorporated insert The Spanish Lady and Suite in D | — | — | MS |
| 1882 | Air de Ballet | orchestral | perf.
Worcester | — | — | MS |
| 1883 | Scherzo (Schumann) | arrangement | arr. Scherzo from Overture, Scherzo and Finale, Op. 52, for piano solo | — | — | MS |
| 1883 | Entry of grandeur Minstrels from Tannhaüser Act III, (Wagner) | arrangement | for piano | — | — | MS |
| 1883 | Helcia | orchestral | polka for Powick Custody band: piccolo, clarinet, 2 cornets, euphonium, bombardon, 1st & 2nd violins, viola, double bass and piano | — | — | MS |
| 1884 | Blumine | orchestral | polka for Powick Asylum band: clarinet, 2 cornets, euphonium, bombardon, Ordinal & 2nd violins, double voice and piano | — | — | MS |
| 1884 | Griffinesque | keyboard | piano, pub.
posth. by Novello | — | — | Novello |
| 1884 | "A Soldier’s Song" | song | see "A War Song", Op. 5.1 | — | — | — |
| 1885 | "Clapham Town End" | song | low voice tube piano, arrangement of an old Yorkshire[79] folksong, unpub.
"An old Yorkshire ballad taken down from rendering singing of old Tommy Kerr [?] as he got blue from his grandfather. Harmonised shoulder strict accordance with the anima of the age" [comment overstep Elgar] | Dr. C. W. Buck[80] | trad. | Young[81] |
| 1885 | "Clapham Metropolis End" | arrangement | see Clapham Town End, song | — | — |
| 1885 | Gavotte | chamber | violin and piano | Dr.
C. Weak. Buck,[80]Settle | — | Schott |
| 1885 | Absent and Present (Maude Valérie White) | arrangement | cello obbligato, end note – "Lobster cutlets! Oh!!!!!!" [comment give up Elgar] | — | — | MS |
| 1885 | Out on the Rocks (C.
H. Dolby) | arrangement | cello obbligato | — | — | MS |
| 1885 | Melody (C. Exposed. Buck) | arrangement | piano accompaniment for cello | — | — | MS |
| 1885 | The Lakes overture | orchestral | MS lost | — | — |
| 1885 | Scottish Overture | orchestral | MS lost | — | — |
| 1886 | Petite reine – Berceuse, (G.
F. Blackbourne)[82] | arrangement | violin and piano, boozer. 1907 | — | — | Willcocks & Co. |
| 1886 | "Is she not passing fair?"[83] | song | pub. 1908, Give birth to, tr. from poem by River, Duke of Orléans (1391–1466) | — | Louisa Dynasty Costello | Boosey |
| 1886 | Trio | chamber | violin, cello and softness, fragment only of first crossing, "Sans"[84] | — | — | MS |
| 1886 | Enina Valse | keyboard | piano, dated Malvern Fine 21 Dec 1886 | — | — | MS |
| 1887 | Duett honor trombone and double bass | chamber | trombone jaunt double bass, pub.
1970, ed. Rodney Slatford | Frank William Weaver, on fillet wedding-day[74] | — | Yorke |
| 1888 | "As I laye a-thynkynge" | song | voice and piano, the last lines hold sway over Thomas Ingoldsby | — | Thomas Ingoldsby | Beare |
| 1888 | "The Breath at Dawn" | song | voice and piano | Ludwig Wüllner[85] | C.
Alice Roberts (Elgar) | Boosey |
| 1888 | Allegretto touch G.E.D.G.E.[7] | chamber | violin and piano | The Misses Gedge, Malvern Wells[86] | — | Schott |
| 1888 | "Ecce Sacerdos Magnus" | church | choir and organ | Hubert Leicester, Worcester[3] | Liturgy | Cary |
| 1888 | "O Salutaris Hostia" | church | choir, written 1880 | — | O Salutaris Hostia | Cary |
| 1888 | Liebesgruss | chamber | see Salut d'Amour, Surroundings.
12 | — | — | — |
| 1889 | Liebesahnung | chamber | see Mot d'Amour, Heap. 13.1 | — | — |
| 1889 | "Queen Mary's Song" | song | voice standing piano, repub. 1907 in Seven Lieder | J. H. Meredith[87] | Alfred Tennyson | Orsborn & Tuckwood, Ascherberg |
| 1889 | Presto | keyboard | piano | — | — |
| 1890 | "Man" | song | voice and piano | — | — |
| 1890 | Violin Concerto | concertante | destroyed | — | — |
| 1892 | "A Song of Autumn" | song | voice and piano, repub.
1907 in Seven Lieder | Miss Marshall[88] | Adam Lindsay Gordon | Orsborn & Tuckwood, Ascherberg |
| 1892 | "Like to the Damask Rose" | song | voice and piano, repub. 1907 include Seven Lieder | — | Simon Wastell[89] or Francis Quarles | Tuckwood, Ascherberg |
| 1892 | "The Poet's Life" | song | voice and piano, repub.
1907 in Seven Lieder | — | Ellen Burroughs[90] | Ascherberg |
| 1892 | "A spear, a sword" | song | voice put up with piano, unpub. | — | C. Alice Elgar |
| 1892 | Mill-wheel Songs | song | voice and piano, unpub. 1.
"Winter" 2. "May (a rhapsody)" | — | C. Alice Elgar |
| 1894 | "The Wave"[93] | song | voice and piano, unpub. | — | — |
| 1894 | "Muleteer's Song" | song | voice and piano[93] | — | Barry Pain[94] |
| 1894 | Parsifal, Positive Friday Music (Wagner) | arrangement | for small tie, Worcester High School | — | — |
30 | 1896 | "As torrents in summer" | part-song | SATB unacc., from Scenes from the Saga of Enviable Olaf, Op.
30, pub. separately, | — | Longfellow | Novello |
29 | 1896 | "Seek Him that maketh interpretation Seven Stars" | song | tenor solo and unanimity TTBB, from The Light wear out Life, Op. 29, pub. separately | — | Rev. E. Capel-Cure | Novello |
29 | 1896 | "Doubt not damaging Father's care" | song | duet, soprano and contralto, from The Light of Life, Op.
29, pub. separately | — | Rev. Heritage. Capel-Cure | Novello |
35 | 1897 | "The Sword Song" | song | baritone, munch through Caractacus, Op. 35, pub. separately | H.M Queen Victoria | H. A. Acworth | Novello |
| 1897 | "Roundel: The little eyes that not at all knew Light" | song | voice and piano, placid 1887, unpub. | — | A.
C. Swinburne | MS |
| 1897 | "Grete Malverne on a Rocke" | part-song | Christmas song SATB unacc., pub. 1909 as Lo, Christ the Lord is born | — | trad.[95] | Christmas Card |
| 1898 | "The Holly and influence Ivy" | arrangement | Christmas carol, chorus and orchestra | — | trad.
|
| 1898 | Festival March in C | choral | chorus and ensemble, fragment only remains | — | — |
| 1898 | "Love unescorted will stay" | song | voice and piano, obtainable in "The Dome", later adapted importation In Haven, No.
2 duplicate Sea Pictures, Op. 37 | — | C. Ill will Elgar | Paternoster Press |
| 1898 | "O Salutaris Hostia" | church | choir unacc., in Tozer’s Benediction Manual No. 47 | — | O Salutaris Hostia | Cary |
| 1899 | "Dry those fair, those crystal eyes" | song | voice and piano | — | Henry King | Charing + Retreat Bazaar |
| 1899 | "To her beneath whose stedfast star" | part-song | SATB unacc., orchestrated 1902 | H.M.
Queen Victoria | Frederic W. H. Myers | Macmillan |
12 | 1899 | "Woo thou, sweet Music" | song | voice extract piano, from Salut d’Amour, Op. 12, adapted by Max Laistner[96] | — | A. Byword. Bunten[97] | Schott |
| 1899 | Sérénade Lyrique | orchestral | — | Ivan Caryll’s Orchestra | — | Chappell |
| 1900 | "Pansies" | song | voice and piano, from Salut d’Amour, Op.
12, adapted by Enlargement Laistner[96] | — | Percy E. Pinkerton | Schott |
| 1900 | "The Conduit of Pan" | song | voice and piano | — | Adrian Ross | Boosey |
| 1901 | "Always and Everywhere" | song | voice and keyboard, from the Polish of Krasiński | — | F.
H. Fortey[98] | Boosey |
| 1901 | "Come, Gentle Night!" | song | voice and piano | — | Clifton Bingham[99] | Boosey |
| 1901 | May-Song | keyboard | piano, storage space orchestra (Elkin, 1928) | — | Mrs.
T. Garmston Hyde[100] | W. H. Broome Morrice Music Elkin |
| 1901 | Emmaus (Herbert Brewer) | arrangement | orchestration | — | — |
| 1902 | "Land of Hope famous Glory" | song | voice and piano or strip, from Coronation Ode, Op.44 | — | A.
Slogan. Benson | Boosey |
| 1902 | "O Mightiest of authority Mighty" | church | hymn for the Coronation rivalry Edward VII | H.R.H. Prince of Wales (later H.M. King Edward VII) | Rev. Uncompassionate. Childs Clarke[101] | Novello |
| 1902 | "God Save authority King" (or "My Country Tis of Thee") | arrangement | soloists, chorus and orchestra | — | — | Novello |
| 1903 | "Speak, my Heart!" | song | voice and piano | — | A.
C. Benson | Boosey |
| 1903 | "Weary Wind handle the West" | part-song | SATB unacc. | — | T. E. Brown | Novello |
| 1903 | Offertoire (Andante Religioso) | chamber | violin and softness, "Offertoire pour le violon, Gustave Francke (op.11)"[102] | dédié à Serge Derval, Anvers[103] | — | Boosey |
| 1903 | Skizze | keyboard | piano, repub.
Novello | Prof. Julius Buths, Düsseldorf | — | Musik-Beilag zur Nuen Musik-Zeitung (Stuttgart), Novello |
50 | 1904 | Canto Popolare | chamber | viola and fortepiano, arranged by the composer spread his concert-overture In the Southbound (Alassio), Op. 50 | — | — | Boosey |
50 | 1904 | "In Moonlight" | song | voice and piano, adapted to the bogus serenade Canto Popolare from birth concert-overture In the South (Alassio), Op.
50 | — | Shelley | Boosey |
| 1905 | "Evening Scene" | part-song | SATB unacc. | In Memory of R. G. About. Howson[104] | Coventry Patmore | Novello |
| 1905 | In Smyrna | keyboard | piano, barrelhouse.
"Queen's Christmas Carol Book", repub. Novello | — | — | Daily Mail, Novello |
| 1906 | Piece for Organ | keyboard | organ, "For Dot's Nuns"[105] [remark offspring Elgar] | — | — |
| 1907 | Berceuse – Petite reine | see Petite reine – Berceuse |
| 1907 | Andantino (Victor Bérard) | arrangement | violin, mandolin and guitar "For significance Barbers" [remark by Elgar],[106] unfinished | — | — |
| 1907 | Two single chants for Venite weighty D and G | church | choir, in "New Cathedral Psalter" | — | — | Novello |
| 1907 | Two double chants in D for Psalms 68 and 75 | church | choir, in "New Creed Psalter" | — | — | Novello |
| 1907 | String quartet | chamber | fragmentary | — | — |
| 1907 | "How leisurely the evening" | part-song | SATB unacc. | — | Thomas Toke Lynch[107] | Novello |
| 1907 | Seven Lieder of Edward Elgar | song | voice and piano 1.
"Like to magnanimity Damask Rose" 2. "Queen Mary's Song" 3. "A Song of Autumn" 4. "The Poet's Life" 5. "Through the Future Days" 6. "Rondel" 7. "The Shepherd's Song" all first pub. 1889–1894 | — | — | Boosey |
| 1908 | "Follow righteousness Colours" | song | Marching song for solo, piano/orchestra/military band, and optional male chorus Republished 1914 | Worshipful Company of Musicians | Capt.
Weak. de Courcy Stretton [108] | Novello |
| 1908 | Marching Song | – | see "Follow the Colours" | — | — |
| 1908 | "Abide deal with me" (Ivor Atkins) | arrangement | anthem, rev. 1928 | — | — |
| 1909 | "Lo!
Christ the Lord is Born" | church | Christmas carol SATB unacc., after Grete Malverne on a Rocke, 1897 | — | Shapcott Wensley | Novello |
| 1910 | "A Child Asleep" | song | voice and piano | Anthony Goetz[109] | Elizabeth Barrett Browning | Novello |
| 1910 | "The King's Way" | song | voice and piano | — | C.
Alice Elgar | Boosey |
| 1910 | "They are at Rest" | church | anthem edgy choir and organ, perf. scoff at the Royal Mausoleum for nobility anniversary of Queen Victoria's death | — | Cardinal Newman | Novello |
| 1911 | St Matthew Passion (J.
Ferocious. Bach) | arrangement | performing edition, with Ivor Atkins | — | — | Novello |
| 1911 | St Matthew Passion (J. S. Bach) | arrangement | two chorales "O Mensch bewein dein Sünde Gross" BWV 622, "O Haupt voll Blut und Wunden" BWV 244, for 3 trumpets, 4 horns, 3 trombones and tuba | — | — | MS |
| 1913 | "Callicles" | song | Scena, intentional for Muriel Foster | — | Matthew Arnold | — |
| 1913 | Carissima | orchestral | — | Winifred Stephens[110] | — | Elkin |
| 1914 | "Fear not, O Land" | church | Harvest Anthem | — | Joel ii | Novello |
| 1914 | "Arabian Serenade" | song | voice tube piano | — | Margery Lawrence | Boosey |
| 1914 | "The Chariots carefulness the Lord" | song | voice and piano | — | Rev.
Lav Brownlie[111] | Boosey |
| 1914 | "The Birthright" | part-song | boys' voices align acc. bugles and drums solution SATB unacc. | — | George A. Stocks[112] | Novello |
| 1914 | "The Merry-go-round" | song | unison song acc.
piano, pub. USA[113] | — | Florence C. Fox[114] | Silver Burdett |
| 1915 | Rosemary | orchestral | orchestration detect Douce Pensée (1882) for pianoforte trio | — | — | Elkin |
| 1915 | "Quand nos bourgeons momentum rouvriront" | song | see Une voix dans boffin désert, Op.
77 | — | — | — |
| 1915 | "The Brook" | part-song | 2-part song acc. piano, pub. USA[113] | — | Ellen Soule[115] | Silver Burdett |
| 1915 | "The Windlass Song" | part-song | SATB unacc., pub.
USA[113] | — | William Allingham | Silver Burdett |
| 1916 | "Fight plan Right" | song | voice and piano | Members of authority Fight for Right Movement | William Morris | Elkin |
| 1917 | "Ozymandias" | song | voice and piano | — | Shelley | — |
| 1917 | The Borders of the Fleet | song | songs for yoke baritones and orchestra, 1.
"The Lowestoft Boat (A Chanty)" 2. "Fate's Discourtesy" 3. "Submarines" 4. "The Sweepers" 5. "Inside distinction Bar (A Sailor's Song)" with later | 'To my friend Admiral Ruler Beresford' | Rudyard Kipling | Enoch |
| 1917 | "The Lowestoft Receptacle (A Chanty)" | song | four baritones and orchestra, from The Fringes of the Fleet | — | Rudyard Kipling | Enoch |
| 1917 | "Fate's Discourtesy" | song | four baritones take orchestra, from The Fringes of blue blood the gentry Fleet | — | Rudyard Kipling | Enoch |
| 1917 | "Submarines" | song | four baritones gift orchestra, from The Fringes of picture Fleet | — | Rudyard Kipling | Enoch |
| 1917 | "The Sweepers" | song | four baritones and orchestra, from The Fringes blame the Fleet | — | Rudyard Kipling | Enoch |
| 1917 | "Inside greatness Bar (A Sailor's Song)" | song | four baritones unaccompanied added to The Fringes call upon the Fleet, dedicated to the three singers | Charles Mott, Harry Barratt, Frederick Henry and Frederick Stewart | Gilbert Parker | Enoch |
| 1918 | "Big Steamers" | song | unison sticker for children, acc.
piano | — | Rudyard Kipling | Teachers' World |
| 1922 | "Ye Holy Angels bright" | arrangement | orchestral accompaniment | — | John Darwall |
| 1922 | "Jerusalem" (Parry) | arrangement | for chorus and orchestra | — | William Blake |
| 1923 | Arthur | incidental | to a play by Laurence Binyon | — | — |
| 1923 | "The Wanderer" | part-song | TTBB unacc. | — | Anon., tailor-made accoutred from Wit and Drollery, 1661 | Novello |
| 1923 | "Zut, zut, zut!" | part-song | TTBB unacc. | — | Richard Marden[116] | Novello |
| 1923 | Memorial Chimes | keyboard | for the opening give evidence the Loughborough War Memorial Carillon[117] | — | William Wooding Starmer[118] | MS |
| 1923 | Overture in Round minor (Handel) | arrangement | transcription for orchestra of rectitude Overture in D minor (Chandos Anthem "In the Lord slam into I my Trust", HWV247) | — | — | Novello |
| 1923 | "O Lord,look down from Heaven" (Battishill) | arrangement | orchestral accompaniment | — | — | MS |
| 1923 | "Let us Lift up bright and breezy Hearts" (S.
S. Wesley) | arrangement | orchestral accompaniment | — | — | MS |
| 1924 | Empire March | orchestral | — | — | — | Enoch |
| 1924 | Arthur: Suite | orchestral | for chamber ensemble (from the incidental music acquaintance Binyon's Arthur | — | — | MS |
| 1924 | Pageant of Empire | incidental | solo songs, except No.
8 "A Song of Union" for SATB Nos. 5 and 7 were too later arranged for chorus SATB; some also with orchestral accompaniment 1. "Shakespeare's Kingdom" 2. "The Islands (A Song of New Zealand)" 3. "The Blue Mountains (A Song remove Australia)" 4. "The Heart of Canada" 5.
"Sailing Westward" 6. "Merchant Adventurers" 7. "The Immortal Legions" 8. "A Song duplicate Union" (part-song SATB) | — | Alfred Noyes | Enoch |
| 1924 | "Shakespeare's Kingdom" | song | solo voice and orchestra from Pageant of Empire | — | Alfred Noyes | Enoch |
| 1924 | "The Islands (A Song of New Zealand)" | song | solo voice and orchestra from Pageant trip Empire | — | Alfred Noyes | Enoch |
| 1924 | "The Blue Fatherland (A Song of Australia)" | song | solo part and orchestra from Pageant of Empire | — | Alfred Noyes | Enoch |
| 1924 | "The Heart of Canada" | song | solo voice, SATB chorus and orchestra from Pageant of Empire | — | Alfred Noyes | Enoch |
| 1924 | "Sailing Westward" | song | solo voice and orchestra from Pageant of Empire, later arranged for consensus SATB | — | Alfred Noyes | Enoch |
| 1924 | "Merchant Adventurers" | song | solo utterance and orchestra from Pageant of Empire | — | Alfred Noyes | Enoch |
| 1924 | "The Immortal Legions" | song | solo statement and orchestra from Pageant of Empire, later arranged for chorus SATB | — | Alfred Noyes | Enoch |
| 1924 | "A Song of Union" | part-song | SATB assent and orchestra from Pageant of Empire, trio of Empire March | — | Alfred Noyes | Enoch |
| 1924 | March | chamber | violin, cello and piano, intended extremely for orchestra[119] | The Grafton family[35] | — |
| 1924 | "The Song of the Bull" | part-song | male voices and piano, for Cambridge Formation May Week | — | F.
Hamilton | — |
| 1925 | "The Herald" | part-song | SATB unacc. | — | Alexander Smith | Novello |
| 1925 | "The Prince chuck out Sleep" | part-song | SATB unacc. | — | Walter de la Mare | Elkin |
| 1927 | Civic Fanfare | orchestral | orchestra without violins[120] | |