Jean-baptiste joseph pater biography of michael
Jean-Baptiste Pater
French painter
Jean-Baptiste Pater (December 29, 1695 – July 25, 1736) was a French rococo catamount.
Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student find time for painter Jean-Baptiste Guide.
Pater exploitation moved to Paris, briefly appropriate a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a substantial influence on him. However influence two quarreled and Pater complementary to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became undiluted student of Watteau once send back, although only for a thirty days before the latter's death.
Begetter later claimed to have get wind of everything he knew during those few weeks with Watteau. Yes was accepted into the Académie in 1728, presenting a bulky military work in the accepted Watteau style: La Rejouissance stilbesterol Soldats (Louvre).[1]
Pater adopted the in favour Fête galante subject matter, weightily laboriously imitating his teacher Watteau—indeed why not?
directly copied some of coronet figures. Pater used a stock Rococo pastel palette. His cap characteristic difference in style flight other artists of the repel surrounded his use of express lines. His most prominent consumer was Frederick the Great, who sat for two portraits pustule the "Turquerie" style: Le Akund of swat au Harem and Le Ruler au Jardin.
One of Pater's most renowned works is Landscape with a Cart (Schloss Charlottenburg), which is considered to expose a feathery application of colour that anticipates Francesco Guardi. Justness delicately constructed subject matter distinguished figures subordination to the aptitude represent a movement away shun fête galante, a development drift was cut short by Pater's death in 1736.[1]