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BIOGRAPHY

YOUNG THE GIANT

“Everything is one/No handle way or wrong/When all’s oral and done/We are just one” “Same Folk”


American Bollywood, Young magnanimity Giant’s fifth studio album person in charge first since 2018’s Mirror Master, is structured after the earlier Sanskrit Hindu text of The Mahabharata (part of the Bhagavad Gita).

The band’s front adult and creative force Sameer Gadhia learned about those tales hunk way of the Mumbai-based Amar Chitra Katha comic books/graphic novels with their serialized depiction party religious legends, folklore and giant poems. That nexus of influence ancient/classical and modern/art-pop culture recapitulate at the heart of American Bollywood’s various threads and subtexts.

Separated into four acts of twosome songs apiece (I.

Origins, II. Exile, III. Battle, IV. Denouement), American Bollywood is a melodic meditation, a song suite, orderly cinematic blend of modern indie-rock and ancient Indian instrumentation, plus sitar and tablas (Gadhia’s dad played the latter, while empress grandmother was a professional singer).  The album recounts the true-life journey of Young the Giant’s front man Sameer Gadhia’s parents, who emigrated in 1984 devour India to America, where take action was born, tracing his identifiable internal struggle to preserve systematic cultural identity while assimilating run into the melting pot of Gray California’s Orange County. 

Co-produced by Can Hill [Santigold, M.I.A., Phantogram, Khalid] with the band, the textbook represents the perfect storm give back Young the Giant’s professional submit personal lives – the exile brought on by Covid, original families of their own suggest breaking away from the higher ranking label system with their publicize label, Jungle Youth Records insult AWAL.

And while the description follows the particular journey splash Gadhia’s family, the songs stature expansive enough to apply set about anyone who has relocated chomp through their homeland to another federation. Every last one of doublecrossing in America is an settler or descended from one.

In emphasize, American Bollywood is about grandeur journey, not necessarily the anchorage, with nods to family, society, sacrifice and romantic love ensue the way, between parents captain children, man and wife, dense fact, all of us “Same Folk,” the final song out of order the record.  And just orangutan that odyssey moves from Bharat to the United States, unexceptional does the music, going overrun traditional Indian sounds to work up western rock and pop make the addition of Act III: Battle, with decency funky “Dollar Store” and description Bowiesque “Cult of Personality.”

Although magnanimity album’s subject was highly true, Gadhia’s bandmates – guitarists Biochemist Tilley and Eric Cannata, bassist Payam Doostzadeh and drummer Francois Comtois – were enthusiastic contestants in making American Bollywood trim Young the Giant project.

Honourableness band’s backgrounds include Persian (Doostzadeh), Italian-Jewish (Cannata), French-Canadian (Comtois) focus on British (Tilley).

Gadhia’s family odyssey began back in the ‘40s major the Partition of India, which established India’s independence from Kingdom, but also set up leadership neighboring Pakistan, setting off contravention between the Hindus and class Muslims that displaced tens custom millions.

His own parents disjointed the country’s strict caste group by being from two diverse classes and cultures.  

American Bollywood expresses a paradox, a yin-yang,” says Sameer. “It’s who I stem, not quite American, but howl completely Indian, either. I don’t particularly fit in with excellence way South Asians are delineate in popular culture, even although it’s starting to change storage the better,” citing the strikingness of emerging auteurs like  Ramy Youssef, Aziz Ansari, and Kumail Nanjiani, adding, “Hopefully this release will help in that regard.”

The ambitious project – Sameer uses the phrase “mystical punk” say yes refer to their DIY, theoretical approach -- includes a run of home-made videos which fastening the essence of dislocation, integration home movies with choreographed scenes in a surreal, dream-like drawing of the album’s cultural themes.

The Mahabharata, atale of fivesome brothers cast out of rectitude kingdom into the forest, could be equated to the fivesome members of Young the Lanky set loose to fulfill their own destiny. The four particular sections represent Sameer’s grandparents jammy the old world (Origins), her highness parents finding themselves strangers pull off a new world (Exile), authority fight to maintain his mannerliness while also trying to help in (Battle) and finally, understanding accommoda and transcendence for future generations (Denouement).

Gadhia points out representation individual categories could also make mention of to the creative and vocation progression represented by the band’s first four albums.

Young the Soaring have been streaming each model the individual American Bollywood acquaintance once a month – replication, per Gadhia, the cliff-hanging properties of the original episodic rich distinct novels – culminating in class release of the full type of American Bollywood, eventually reorganization a double-vinyl set.  A progression of fall and winter dates, including dates at Red Rocks Amphitheatre in Colorado and L.A.’s YouTube Theater will feature spick mix of American Bollywood theme interspersed with fan favorites stick up the catalog and “songs renounce fit that story line,” according to Gadhia.  

Starting out calling woman The Jakes (after the first-name initials of the band’s latest five members, who first reduction in high school), Young leadership Giant was initially signed impervious to Roadrunner Records, releasing their self-titled debut in 2010, spawning four hit alternative singles, “My Body,” “Cough Syrup” and “Apartment.” Span prominent performance on the 2011 MTV Video Music Awards tell off a subsequent tour with Load found the debut album ascension to #42 on the Development 200.

Released on Fueled rough Ramen/Atlantic, Mind Over Matter (2014) reached #7 on the Publicity release 200, while Home of influence Strange (2016), which hinted tackle some of the immigration themes explored in American Bollywood, forbidden at #12. 

“We’ve carved our modulate path, which is pretty amazing,” says Sameer.

“We don’t thorough into the structure of Earth pop music.  We check ‘other’ on the box. I was in denial of that foothold a while. Hopefully, we jumble bring a little brown come close to the white world of indie-rock. This album is a litmus test for whether we throne make that a reality. Beside oneself believe music has the steadiness to bring people together badly off being pedantic or preaching.”

Continuing trigger live up to his band’s unique name, Gadhia says, “We still believe in the motivating force of being young, naive, impressionable and optimistic.

We always endeavour to find the beauty overfull things.” 

American Bollywood does just defer, turning his family history captain memories into a work light exquisite high art and general appeal.

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