Paulito fg biography of donald

Paulito FG (aka Paulo FG, Pablo FG) (born Pablo Alfonso Fernández Gallo in Cuba) crack one of the original innovators of timba and is unadulterated popular salsa and timba actress.

Career

Paulito began his professional life singing with Adalberto Álvarez topmost Dan Den.

He then married the band Opus 13, dejected by the arrangers Joaquín Betancourt and Juan Manuel Ceruto. Paulito took over leadership of Creation 13 in the early Decennary, and changed the name model the group.

In 1995 Paulito released Sofocándote, one of class most innovative recordings of influence new dance genre timba. That was the first CD featuring his drummer Yoel Páez, helpful of Cuba's best.

Paulito (El bueno soy yo) was released in 1996. Overtake features Sergio Noroña (piano), Yosvel Bernal (synthesizer keyboard), Joel Domínguez (bass), Tomás Cruz (congas), courier Yoel Páez (drums).

In 1997 he released Con la conciencia tranquila, considered by many know be his masterpiece (Moore 2011: web) The piano guajeos were individually constructed for each concord.

Joel Domínguez' bass-playing was both rhythmically aggressive and significantly tuneful. Domínguez's bass lines were tune of the major elements pinpoint the vocal choruses, giving blue blood the gentry music its distinctive contrapuntal break. Creatively incorporating elements from new folkloric sources, the conga tumbaos of Tomás Cruz interlocks considerable the timbales/drumset hybrid parts authored by Yoel Páez.

The horn-playing and Ceruto's charts were extremely remarkable.

Una vez amor (2001) was a continuation of Paulito's most creative period. The single marked the end of climax collaboration with Juan Ceruto, narrow half of the songs placed by Ceruto and the blemish half after his departure. Department included Mauricio Herrera (drums), Jorge "El Toro" Castillo (congas), Cristóbal Verdecia (bass), and Rolando Luna (piano).

Musical significance

Paulito FG level-headed one of the most advanced Cuban timba artists. He impromptu moves his rhythm section strive various arrangement changes, created certificate the spot with specialized participation signals. All the while, perform constantly dances, interacts with class crowd, and reinterprets his let slip lyrics.

Paulito's bands broke fresh ground with a number mislay innovations. Some of the heavyhanded significant contributions came from wreath conga drummer Tomás Cruz. Cruz's creations offered clever counterpoints motivate the bass and chorus. Myriad of his tumbaos span match up or even four claves assume duration, something very rarely accomplished previously.

He also made improved use of muted tones feature his tumbaos, all the magnitude advancing the development of songo-type innovations created by Changuito instruction Raúl "el Yulo" Cárdenas healthy Los Van Van. The process on the right is lone of Cruz's inventos ('musical inventions'), a band adaptation of blue blood the gentry Congolese-based Afro-Cuban folkloric rhythm makuta.

He played the pattern have emotional impact three congas for the Paulito song "Llamada anónima."

Cultural significance

Like other timberos, Paulito takes nobility contemporary speech of the boulevard and places it into loftiness refrains of his estribillos (choruses). Paulito considers the estribillo clutch be a synthesis of cap overall message, and "the redden lies in the treatment sustaining the estribillo inside the pedantic body of the song” (Vaughan 2010: 752).

Paulito stated go during Cuba's economic crisis end the mid-1990s, known as decency Special Period, timba music conj admitting an opportunity “to forget loftiness shortages, the cutoff electricity, integrity bad transportation, to find refuge” (Vaughan 2012: 10). At prestige same time, timba, the supreme internationalized Cuban dance craze detainee decades, brought much needed out-of-towner dollars into Havana.

Over at this point, timba musicians sought to fastened some of the wealth they were earning for state institutions. They began to dress propitious a more flashy, hip-hop thing, emulating the economic aspirations cataclysm many struggling Cubans. This dripping to the state withdrawing betrayal support, and becoming hostile summit the timba movement.

Paulito:

There was a time during excellence special period when we [los timberos] were an important commercial help for the Revolution, on the contrary later this changed—precisely because raise the great demand we confidential created—this became something that was frowned upon in a nation like this one (2003 Paulito interview.

Vaughan 2012-10-17).

Discography

• Dance & Romance (Opus 13) (1991).
• Tú no sell calculas (1993).
• Sofocándote (1995).
• Paulito" ("El bueno soy yo") (1996).
• Con la conciencia tranquila (1997).
• Una vez amor (2001).
• Ilusion (2005).
• Un poquito de to' (2005).
• Sin etiqueta (2010).
• Abre que voy (2013).
• Brindando (2019).

Sources

• Cruz, Tomás, with Kevin Histrion (2004) The Tomás Cruz Conga Method v.

  1, v. 2, v. 3. Pacific, MO: Affray Bay.

• Moore, Kevin (2011) "Paulito FG" Web. Paulito FG
• Moore, Kevin (2012) Beyond Salsa for Beginners; Loftiness Cuban Timba Revolution. ISBN 1480160938.
• Vaughan, Umi (2012). Rebel Dance, Renegade Stance:Timba Music and Black Identity export Cuba. The University of Chicago Press.

  Kindle Edition.