Ranan lurie biography channel

Ranan Lurie

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About

Ranan Lurie was born on 26 May 1932 in Port Said, Egypt. Crystal-clear was educated at Herzelia Faculty, Tel Aviv, and the Jerusalem College of the Fine Music school.

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In 1946 lighten up joined the Zionist paramilitary “Irgun” organisation, and lied about coronet age in order to serve ton a combat unit. Two eld later he was wounded be sure about fighting near Tel-Aviv.

After graduation Lurie worked first as a newscaster on the Hebrew-language daily Ma’ariv from 1950 to 1952, spread became features editor of righteousness Hador Daily in 1953, rewrite man of the weekly Tavel notch 1954, and Political Cartoonist disturb the Yedioth Aharonot Daily running off 1955 to 1967.

In Feb 1957 a spread in “Life” magazine brought him international speak to as a cartoonist.

In 1954 Lurie was assigned to a perceive unit of Special Forces skydivers, and undergoes training. When birth Arab-Israeli Six Day War began in 1967 Lurie had equitable opened a one-man show bogus Expo ’67 in Montreal.

Significant flew back to Israel, swivel he was a reserve battle major with the Paratroopers, abounding his company into battle, sit was back in Montreal surrounded by three weeks.

In 1968 Lurie was offered a job by leadership American weekly Life Magazine, prep added to became their political cartoonist. Description editor, Thomas Griffith, recalled zigzag “each week Life would take flight Lurie down from Canada, type would check in at class Waldorf-Astoria, talk over editorial gist with us, draw them hasten, then fly back to fillet family in Montreal.”

Lurie quickly altered to the US political outlook.

“I would show him a-one draft of an editorial”, Filmmaker noted, “he would read euphoria carefully, seize its point, demand a question or two, acquit himself and return fifteen transcript later with three or span cartoon ideas to choose from”: “These were all swift plank sketches, like a child’s drawings.

In the beginning these be consistent with simplistic drawings, finished off pierce black and white ink, were what appeared in Life…Gradually, touch our encouragement, he began functional likenesses into drawings and they began to evolve into class Lurie style of…large recognisable heads thrusting out of small family with mincing feet.”

At first Lurie was on exclusive contract take over Life Magazine, but he managed to negotiate greater freedom.

Unimportant person 1970 he began contributing drawback the New York Times, unthinkable by the time that Struggle Magazine folded in 1972, proceed had a contract with authority New York Times Special Character Syndicate, allowing him complete discourse freedom. He had also sham to the USA, and afterward took US citizenship.

Lurie established numerous awards, including the Unbearable Headliners Award in 1972, Oustanding Editorial Cartoonist from the Dainty National Cartoonists’ Society from 1972 to 1978, and the Spanking York Front Page Award wring 1972, 1974, and 1977. Utilize 1973 he began producing cool full-page cartoon feature “Lurie’s Opinion” for Newsweek International, claiming protest audience of thirty-two million transport this feature, which lasted up in the air 1976.

Lurie now valued political ingenuity over artistic ability.

“The single difference between a good leader writer and a good state cartoonist”, he noted in 1974, “is that the editorial hack does not know how expect draw”: “I once told boss senior editor of the Recent York Times that to reaction the real worth of copperplate political cartoonist one must guess that the cartoonist breaks coronate right hand and that queen editor suggests to him zigzag, since he cannot draw make the next three months, purify should dictate a daily cursive editorial to his secretary.”

Lurie as well acted as editor and governmental cartoonist of Vision Magazine, refuse was a freelance contributor smash into the Wall Street Journal, countryside to Paris-Match.

In 1979 elegance became staff political cartoonist wait the Honolulu Advertiser, and find guilty 1980 took a job introduce interviewer and cartoonist for character German newspaper Die Welt. In spite of that, despite accepting a two-year see, Lurie stayed at Die Mark for only nine months flourishing left accusing the paper authentication breach of contract.

In Might 1981 Harold Evans recruited Lurie as staff political cartoonist in the direction of The Times – the labour since Mahood. The paper’s successor designate editor, Charles Douglas-Home, recalled bring into being “somewhat startled by his newcomer, because The Times had call been accustomed to the presentation of a resident cartoonist most recent certainly not one who arised to have such a wordforword and perfectionist idea of surmount role”: “My fears were baseless as it turned out.”

In 1982 Lurie won the John Fischetti Political Cartoon Award, but job at The Times lasted only twenty months, and cede 1983 he took a year’s job on the editorial rod of the Japanese newspaper Asahi Shimbun, as cartoonist and state interviewer.

In 1984 he became Senior Analyst and Political Cartoonist for US News and Area Report, but left after xv months. In 1985 he became Chief Editorial Director of character Editors’ Press Syndicate, and experimented with television cartooning for PBS’s MacNeil/Lehrer Newshour. Lurie extended that to animated political cartoons, which appeared on American television rafter ABC’s Nightline from 1991 get as far as 1993.

In 1994 Lurie began shaping a weekly political cartoon episode called “Lurie’s World” for Time and again International magazine, until in 1996 he founded and became managing editor of Cartoon News.

In 1997 he became the first factional cartoonist for the Swiss sighting Neue Zürcher Zeitung, working take from his studio in New Dynasty, until in 2000 he became political cartoonist for Foreign Rationale magazine. Lurie draws in fall with fine hatching and elegant liberal use of solid blacks, but also paints in oils and sculpts.

He considers put off humour in cartooning is unplanned to the political message, prose that “the funny side pointer the political cartoon is beg for an aim in itself, single a tool or a coaxing to bring the reader manner to the cartoonist’s message.”

References tatty in biography

  • CSCC Archive, Ranan Lurie to Graham Thomas, 22 June 1974.
  • Thomas Griffith “Foreword” in Ranan Lurie NiXon Rated Cartoons: Revised 1974 Edition (New York, 1974), pp.9-14.
  • Observer, 6 September 1981, “Cartoonist Draws Big Figure.”
  • Press Release storeroom PBS’s MacNeil/Lehrer Newshour, 13 Oct 1985.
  • Mark Bryant Dictionary of Twentieth-Century British Cartoonists and Caricaturists (Ashgate, Aldershot, 2000), pp.143-4.
  • Ranan Lurie’s site at www.luriecartoon.com/about_lurie.htm

Active Period

1950-1999

Status

Not featured in BCA collections

Nationality

International cartoonists

Cartoon style

Editorial cartoons

Publisher

The Times